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Search : Felt Johanna Emeney
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Johanna Emeney
Johanna Emeney works at Massey University as a teacher of creative writing.
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Johanna Emeney in conversation with Kim Hill
Johanna Emeney talks all things poetry, life, loss and goats with Kim Hill for RNZ’s Saturday Morning. Johanna’s new book of poems Felt is launched...
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Johanna Emeney reads from her new book
Johanna Emeney reads ‘Touching’ from Felt. Head to New Zealand Poetry Shelf to listen to the full piece. Follow the link here.
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10 Questions with Johanna Emeney
Q1: First things first: the beautiful cover. Tell us the story of this adorable felt goat. Yes, isn’t she beautiful. Her name is Grethe, and she wa...
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Chris Tse reviews Felt
Listen to Chris Tse’s review of Felt at RNZ here.
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Jordan Hamel reviews Felt
‘One of this collection’s strengths is its ability to give Emeney’s stories room to breathe. The poet and publisher seem to understand where the re...
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Chris Reed reviews Felt for Read NZ
Chris Reed has reviewed Johanna Emeney’s poetry collection Felt for Read NZ. She writes: ‘Emeney creates a world enraptured by itself and totally...
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Paula Green reviews Felt for Kete
‘Relationships are felt through activated senses. Poetry is an emotional compass as the writer contemplates grief, addiction, friendship, family, d...
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Felt
New poems by a rising star of New Zealand poetry
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Sylvia and the Birds reviewed on The Sapling
Linda Jane Keegan has reviewed Sylvia and the Birds: How The Bird Lady saved thousands of birds and how you can, too! by Johanna Emeney and Sarah L...
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Otherhood
Interrogating: Am I mother, or am I other?
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Marae food sovereignty: Sunday Star-Times
Sapeer Mayron reviews Pātaka Kai: Growing kai sovereignty by Jessica Hutchings and Jo Smith for Sunday Star-Times: ‘When Dr Jessica Hutchings begin...
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Read NZ Q&A with Kate De Goldi and Susan Paris
Read NZ Q&A with Kate De Goldi and Susan Paris Q1: What’s the thinking behind this great new project? We noticed there was very little poetry b...
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30 Queer Lives contributor Andy Davies interviewed for BusinessDesk
Andy Davies, who features in 30 Queer Lives: Conversations with LGBTQIA+ New Zealanders has been interviewed for BusinessDesk. ‘I found my attracti...
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Soundings reviewed in The Booklover newsletter
Independent bookshop The Booklover has reviewed Kennedy Warne’s memoir Soundings: Diving for stories in the beckoning sea: ‘For the past 40 years,...
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Ans Westra: A life in photorgraphy reviewed in the New Zealand Journal of History
Athol McCredie reviews Ans Westra: A life in photography by Paul Moon for the New Zealand Journal of History: ‘THE DUTCH-BORN Ans Westra (1936–2023...
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An excerpt from To the Summit
Chapter 1 — Rushing to base camp October 2015, Everest region, Nepal The track from Chukhung crossed the ice-laced waters of a cloudy glacial strea...
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Ten Questions with Jo Willis and Brigitta Baker
Q1: What prompted you to share your story? JW: This is the book I wished that I could have read secretly under my duvet when I was only just survi...
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The Monday Extract on The Spinoff
An excerpt from Pip Desmond’s best-selling memoir about her mother’s descent into dementia. I read about a hairdresser who had three customers pas...
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Our First Foreign War review
‘If you like your history richly-layered then this is just the title for you, with the added bonus that it covers a part of the New Zealand story n...
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10 Questions with Bridget Hackshaw
Q1: When did the idea that you should write this book first seed in your mind? I began reading, photographing and researching this subject at the...
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Ten questions with Sophie Jerram, Mark Amery and Amber Clausner
Q1: Tell us about the title — what was so urgent? SJ: The world was going to end of course! New carbon measures and climate pronouncements had been...
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What we find when we dig up the past
‘As I read through my great-grandfather’s military service record and learned that he had been present not only for the invasion of Parihaka but al...
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The Unsettled reviewed on Aotearoa New Zealand Review of Books
Paul Diamond reviews The Unsettled: Small stories of colonisation by Richard Shaw for Aotearoa New Zealand Review of Books: ‘Richard Shaw’s 2021 me...
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Pinky Agnew’s launch speech for Old Black Cloud
Pinky Agnew’s launch speech for Old Black Cloud, by Jacqueline Leckie, Unity Books Wellington, 12 June 2024 Thank you Nicola, thank you Jacqui....
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Ten Question Q&A with Mary Kisler
Q1: Your book starts with a lengthy dedication to other children of prisoners of war. Why did you want to do this? Very few returned prisoners of w...
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10 Questions with Barbara Ewing
Q1: When did the idea for this memoir first start brewing? I had vowed always never to write any personal account concerning my life, although I h...
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Newsroom runs an extract from ‘the superb new memoir Raiment by Jan Kemp’
Newsroom has run an extract from Jan Kemp’s ‘superb new memoir’, Raiment. ‘In English I, our lectures included An Introduction to Shakespeare by Ma...
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Ten question Q&A with Michael Belgrave
Q1: At the start of this book you tell the reader about the urge you felt to write some sort of a history in the immediate wake of the mosque shoot...
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10 Question Q&A with Dick Frizzell
Q1: When you got on the train and headed south to art school in 1960 you probably thought that it was goodbye forever to Hastings. How has it staye...
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Sex scandals and sexism in the swinging 60s
Cathie Dunsford from Newsroom has reviewed Raiment by Jan Kemp, an account of her growing up in the 1950s, and of university life in the late 1960s...
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Steve Braunias reviewed the new edition of The South Island of New Zealand — From the Road
Steve Braunias has written an excellent and comprehensive review on Newsroom of the newly republished The South Island of New Zealand — From the Ro...
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Ten questions with Kirsty Johnston and James Hollings
Q1: New Zealand is a small country — and was even smaller in 1970 — and so it just seems incredible that this murder has never been solved. How is...
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Read an interview with Floor van Lierop, designer of Ans Westra: A life in photography
Kete Books interviews Floor van Lierop, book designer, about her work on Ans Westra: A life in photography by Paul Moon: ‘Floor, hi! Can you tell u...
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A brief history of Michael Laws’ war on the Sarjeant Gallery
‘Whanganui was in a mood for change in 2004. The incumbent mayor, Chas Poynter, a bookseller and the son of a bookseller, had been in office since...
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The Dark Dad reviewed in Waiheke Weekender
Jenny Nicholls reviews The Dark Dad: War and trauma — a daughter's tale for Waiheke Weekender: What happens to a child who is rejected by the onl...
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10 Questions with Paula Green
Q1: Now that Wild Honey is off to print, are you feeling proud of it? Yes, a thousand times yes. But also a tad anxious. Q2: It’s a huge book a...
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10 Questions with Jenny Gillam
Q1: Your images document a unique wānanga in the north, in which women came together to learn how to pelt kiwi for their feathers for weaving. The...
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Ten questions with Kennedy Warne
Q1: You are known for writing about a range of outdoors and environmental subjects. Why did you choose the sea for this book? In 2000, after writin...
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Ten questions with Jeremy Hansen and Jade Kake
Q1: A much-loved, much-missed and near mythical figure — when did you each decide that Rewi Thompson should be honoured with a book and that you sh...
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Ten questions with Patrick Shepherd
Q1: What’s your personal connection to Antarctica? As a young boy growing up in the north-east of England, I’d get really excited waking up to a th...
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Read an excerpt from High Wire
HIGH WIRE LLOYD JONES EUAN MACLEOD I’d written to Euan Macleod proposing a project about bridges. He replied enthusiastically — and, over t...
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10 Questions with Dick Frizzell
Q1: After working your way through the history of Western art for your last book, was it a relief to look up at the sun and the stars? Not so much...
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Downfall reviewed in The National Oral History Association of New Zealand newsletter
Roger M. Smith, a Wellington PhD student in German Poetry and Rights Officer at the Museum of New Zealand Te Papa Tongarewa, has reviewed Paul Diam...
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Guy Somerset reviews Shadow Worlds for Aotearoa New Zealand Review of Books
Guy Somerset has reviewed Shadow Worlds: A history of the occult and esoteric in New Zealand by Andrew Paul Wood for Aotearoa New Zealand Review of...
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Michelle Elvy reviews Soundings for Landfall
Michelle Elvy has reviewed Kennedy Warne’s memoir, Soundings: Diving for stories in the beckoning sea, in Landfall: ‘In this book, Kennedy Warne e...
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James Norcliffe reviews Artists in Antarctica for takahē
James Norcliffe reviews Artists in Antarctica edited by Patrick Shepherd: 'I couldn’t help but gather adjectives from the first few pages of this h...
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Otherhood editors interviewed on RNZ's Nine to Noon
On RNZ's Nine to Noon, Kathryn Ryan discusses Otherhood: Essays on being childless, childfree and child-adjacent with editors Alie Benge, Lil O’Bri...
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Read an extract from Otherhood on the Spinoff
Read an extract from Lily Duval's essay from Otherhood: Essays on being childless, childfree and child-adjacent edited by Alie Benge, Lil O’Brien a...
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Martin Edmond talks to RNZ’s Mark Amery
Acclaimed writer Martin Edmond did his Christmas shopping in Whanganui as a child, travelling down the river from Ohakune where he was raised. They...
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Herbst: Architecture in context reviewed in Architecture Now
Sean Flanagan reviews Herbst: Architecture in context by John Walsh for Architecture Now: ‘Recently published by Massey University Press, the book...
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Hastings reviewed in New Zealand Arts Review
John Daly-Peoples reviews Hastings: A boy’s own adventure by Dick Frizzell for New Zealand Arts Review: ‘Many geniuses are recognized early on in t...
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10 Questions with Rachael Bell
1. You teach the history of New Zealand in the interwar period – what drew you to it? It was such a revolutionary time in our history – the start,...
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10 Questions with Jack Ross
Another Poetry New Zealand Yearbook is off to print. What are the strengths of the 2019 edition? I think this may well be the issue I’m proudest o...
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Read the introduction of Tooth and Veil
Tooth and Veil NOEL O'HARE Introduction Shop assistants working along the ‘golden mile’ in Wellington had witnessed many marches down Lambton...
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10 Questions with Clare Ladyman
Q1: Getting enough sleep is a huge issue for many people today, what drew you to sleep during pregnancy in particular? I was a brilliant slee...
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10 Questions with Margaret Tennant and Geoff Watson
Q1: Why Palmerston North? What prompted you to see this book in print? GW: It has been nearly 50 years since Petersen’s centennial history of Palme...
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10 Questions with Susan Paris and Kate De Goldi
Q1: What’s the thinking behind this great new project? We noticed there was very little poetry being published for younger readers. Original, conte...
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10 Questions with Richard Shaw
Q1: Readers of The Conversation will know your pieces of commentary and observation but a book such as The Forgotten Coast, with its elements of me...
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10 Questions with Lisa Cherrington and Sarika Rona
Q1: What prompted you to write this story? LC: Well, it was two things for me. One, a friend had just returned from overseas and she posted a pho...
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Ten questions with Joan Skinner
Q1: What drew you to midwifery as a profession? It probably started before I was born. My Dad was a GP obstetrician and he seemed to be always away...
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10 Questions with the editors of Katūīvei
David Eggleton is a poet and writer of Rotuman, Tongan and Pākehā heritage and was the Aotearoa New Zealand Poet Laureate from 2019 to 2021. Vaugha...
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10 Questions with Jacqueline Leckie, author of Old Black Cloud
Q1: The first-ever social history of mental depression in New Zealand . . . what drew you to this topic? It comes from my long-term research, tea...
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Short Story Club – 1 November
BUTTERFLY SMITH 1987 The first time they lost Butterfly was in the Auckland railway station. One moment he was standing there guarding the shabby...
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10 Questions with Masayoshi Ogino
Now that it’s published, what delights you most about Creating New Synergies? Completion! This journey was very intensive from time to time, invol...
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10 Questions with Simon Wilson
1. Urgent. How urgent? Always urgent, in the sense that climate change, the poverty of our political options and the relationship of race, identit...
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10 Questions with Pip Desmond
1. Why did you want to write this book? To help me make sense of looking after Mum through the heartbreak that is dementia, and to find her again....
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10 Questions with Damian Skinner
1. You wrote your MA thesis on Theo Schoon in the 1990s but clearly you weren’t quite done with him. What drew you back? It was actually meeting a...
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10 Questions with Luke Smythe
Q1: This wonderful book has the most lovely subtitle: Between Gesture and Geometry. Could you explain why it’s so fitting? Most abstract painters f...
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10 Questions with Robyn Salisbury
Q1: One doesn’t have to read too far into this book to see that it has been a passion project for you. What’s driven you? I was compelled to produc...
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10 Questions with Noel O’Hare
Q1: What drew you to write about this subject? I was researching material for the Public Service Association’s centenary celebrations and I became...
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10 Questions with Barbara Sumner
Q1: Now your book has gone off to print, how are you feeling? I am relieved, neurotic, trepidatious. And very pleased. Q2: When did you decide tha...
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10 Questions with Matt McEvoy
Q1: This is your second book, and so you did know before you began that being an author is not the easiest gig in town. Why did you decide to do it...
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Wellington Architecture: A Walking Guide reviewed in Architecture New Zealand
Daniel K Brown has reviewed the latest in our walking guide series by John Walsh and Patrick Reynolds, Wellington Architecture: A Walking Guide, fo...
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Our First Foreign War reviewed by Peter Wood for the New Zealand Journal of History
Peter Wood has reviewed Our First Foreign War: The impact of the South African War 1899–1902 on New Zealand for the New Zealand Journal of History....
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The Forgotten Coast reviewed in the New Zealand Journal of History
Georgina White has reviewed Richard Shaw’s memoir, The Forgotten Coast for the New Zealand Journal of History: ‘This is an elegant, thought-provok...
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10 Questions with Tracey Slaughter
Q1: Another bumper edition of Poetry New Zealand Yearbook, this time for 2023. How many poems were submitted? Once again, well over a thousand. Oft...
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10 Questions with Louise Callan and Jake Morrison
Q1: So many people have Robin Morrison stories to tell. What’s your connection to Robin? LC: Robin was a colleague I worked with for a wide range o...
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Ten questions with Jane Sayle and Catherine Bagnall
Q1: Your gorgeous previous collaboration, On We Go, was published in 2021. When did you decide to work together again on another one? On We Go was...
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Gretchen Albrecht interviewed at Auckland Art Gallery
Catharina van Bohemen speaks with Gretchen Albrecht about Gretchen Albrecht Revised Edition: Between Gesture and Geometry by Luke Smythe: ‘In 2019...
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Ans Westra reviewed in Waiheke Weekender
Jenny Nicholls reviews Ans Westra: A life in photography by Paul Moon for Waiheke Weekender: ‘A gentle biography of the photographer who took some...
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Fire & Ice is ReadingRoom's book of the week
Steve Braunias reviews Fire & Ice by Hazel Phillips for ReadingRoom: ‘The main image on this page — above, spread out happily across the screen...
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10 Questions with Mark Beehre
Q1: What prompted you to begin this project? I did the first few interviews and photographs as part of the studio component of a Master of Fine Ar...
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10 Questions with the editors of Otherhood
Alie Benge (she/her) is a New Zealand writer who lives in London. Her debut essaycollection, Ithaca, was published in 2023. Lil O’Brien (she/her) i...
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Extract from Katūīvei: Contemporary Pasifika poetry from Aotearoa New Zealand
‘The first Pasifika poet of the modern diaspora to emerge in Aotearoa New Zealand was Alistair Te Ariki Campbell, who was born in Rarotonga in 1925...
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10 Questions with Chris Price and Bruce Foster
Q1: Was it an immediate ‘yes!’ when ‘kōrero series’ mastermind Lloyd Jones asked whether you’d like to work together on this? BF: When Lloyd phoned...
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Extract from Poetry Aotearoa Yearbook 2024
An extract from the upcoming book Poetry Aotearoa Yearbook 2024, edited by Tracey Slaughter: Writing from the red house The day I wrote my first...
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Extract from Eat Pacific by Robert Oliver
It began with a simple realisation. Over the course of a generation, there had been a fundamental shift in the way Pacific people ate. Processed fo...
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10 Question Q&A with Whiti Hereaka and Peata Larkin
Q1: What was your reaction when series editor Lloyd Jones approached you to see whether you were keen to create the sixth book in the kōrero series...
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10 Questions with Jack Ross
1. Now that it’s published, what pleases you most about Poetry New Zealand Yearbook 2018? I’m happy with the feature: the poems, interview and essa...
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10 Questions with David Straight
Can you remember the moment you knew you wanted to create a book about John Scott? I had been thinking of a book on John Scott for a few months pri...
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10 Questions with Chris McDowall and Tim Denee
Q1: We Are Here is off to print! Do you feel exhilaration or exhaustion? TD: Both! There’s also some trepidation — for better or worse, it’s out o...
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10 Questions with Cliff Simons
Q1: The New Zealand Wars, the Land Wars, the Māori Wars — these nineteenth-century conflicts have had a few name changes, as well as changing ideas...
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10 Questions with Steven Loveridge
Q1: New Zealand emerges from the pages of The Home Front as a far more interesting and complex young nation than many readers might imagine. Could...
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Carl Shuker’s launch speech for Aspiring
Launching Aspiring by Damien Wilkinsby Carl Shuker I remember interviewing Damien for his book Chemistry nearly twenty years ago. Our half-hour tal...
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10 Questions with Sara McIntyre
Q1: You’ve been taking photographs all your life. But was there a moment recently when you felt you could finally say to yourself, ‘Yes, I am a pho...
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10 Questions with Nigel Robson
Q1: Has the South African War 1899-1902 been overlooked in our history? While the war itself has not been overlooked, it has long existed in the sh...
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Ten Questions with Ian McGibbon
Q1: Why did it take so long for New Zealand to set up a diplomatic service? For a long time New Zealand was content to follow the United Kingdom’s...
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New Zealand’s Foreign Service reviewed in North & South
Peter Bale has reviewed New Zealand’s Foreign Service: A history, edited by Ian McGibbon, in North & South: Breakfast: Our Most Diplomatic Meal...
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10 Questions with Jane Parker, Marian Baird, Noelle Donnelly, and Rae Cooper
Q1: This is a big topic. How did the project begin? The book traverses a range of themes with particular regard to globalisation, technological d...
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Ten questions with Andrew Paul Wood
Q1: When you started this project did you have any idea that you would unearth such a rich cast of characters? Yes and no. Some of these people had...
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Ten questions with Nic Low and Phil Dadson
Q1: These ‘kōrero series’ projects all begin with an approach from series editor Lloyd Jones and his suggestion of a concept on which each of you c...
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Ten questions with Wil Hoverd and Deidre McDonald
Q1: What is the greatest threat to New Zealand’s security? WH & DM: Undoubtedly, climate change is one of the greatest threats to the security...
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Erebus The Ice Dragon reviewed in Polar Record
Bob Frame has reviewed Colin Monteaths’s Erebus The Ice Dragon: A portrait of an Antarctic volcano, the first social and cultural history of the mo...
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10 Questions with Peter Walker, author of Hard by the Cloud House
Q1: This your fourth book and it ranges far and wide. Where did the idea for it first take seed? I was reading a newspaper one day and saw a story...
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Hard by the Cloud House reviewed in Waiheke Weekender
Jenny Nicholls reviews Peter Walker's latest novel Hard by the Cloud House for Waiheke Weekender: ‘There is much to love about this book, which is...
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Read an extract from Otherhood in Ensemble magazine
Ensemble has featured Lil O’Brien's essay ‘Our American fertility dream’ from Otherhood: Essays on being childless, childfree and child-adjacent ed...
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Ans Westra reviewed in Art New Zealand
Mary Macpherson reviews Ans Westra: A life in photography by Paul Moon for Art New Zealand: ‘For nearly 70 years, Ans Westra photographed the life...
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Ten Question Q&A with Martin Edmond
Q1: You grew up in Ohakune and at the start of this book you write about coming to Whanganui when you were a child, in the early 1960s. Clearly the...
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Read the first chapter of Will to Win
Will to win INTRODUCTION Rivalry, resilience and redemption The Silver Ferns are New Zealand’s national netball team. The team name originates f...
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Extract from Old Black Cloud by Jacqueline Leckie
When, in the 1990s, my family doctor put it to me that I was depressed, the biochemical model of brain chemistry was ascendant in the understanding...
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Extract from The Ones That Bit Me! Camels, cows and other young-vet stories by Marcus Taylor
IT ALL BEGAN WITH A TURKEY. We stood eye-to-eye, locked in a toddler–bird standoff. I was three years old, so we were of equal intelligence, but th...
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Extract from Edith Collier: Early New Zealand modernist
St Ives, summer, 1920. The New Zealand artist Frances Hodgkins is busy with a painting school and a ‘crowd of pupils’ is distracting her from her o...
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Making Space reviewed in Architecture New Zealand
Kathy Waghorn has revewed Making Space: A history of New Zealand Women in Architecture, edited by Elizabeth Cox, for Architecture New Zealand: As...
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10 Questions with Danny Keenan
Q1: You have written books on armed conflict and passive resistance in the nineteenth century. The Fate of the Land feels like another layer of the...
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Extract from The Unsettled by Richard Shaw
An extract from Richard Shaw's upcoming book The Unsettled: Small stories of colonisation: We also stir up emotions when we begin rummaging aroun...
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Ten Question Q&A with Mark Derby
Q1: You would have come across Doug Jolly while working on your 2009 book Kiwi Campaneros, about the New Zealanders who fought in the Spanish Civil...
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Ten Question Q&A with Cynthia Farquhar
Q1: In your introduction you describe how thinking about your mother’s difficult experience at the Otago Medical School in the late 1940s, and in t...
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10 Questions with Beth Greener
1. Now that it’s published, what pleases you most about Army Fundamentals? What pleases me most about the book is the fact that many of the contr...
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Ian Fraser launches Bill & Shirley
Launch speech, Bill & Shirley by Keith Ovenden We meet in the shadow not just of the pandemic but of the election. So, I want to put it on reco...
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Ten questions with Witi Ihimaera and Michelle Elvy
Q1: The subtitle declares ‘new writing for a changed world’. Changed, how so? WI: Nature keeps sending out these SOS messages, and Cyclone Gabriell...
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Read an extract from Te Whare o Rehua Sarjeant Gallery
6. The professional era Gordon Harold Brown was born in Wellington in 1931 and trainedas an artist under Ted Lewis at Wellington Technical College....
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Read an extract from Fire & Ice
CHAPTER 11 The legend of the Haunted Whare A small shack near Tawhai Falls below the Chateau was reputedly haunted by the ghost of a woman searchin...
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Extract from Hard by the Cloud House by Peter Walker
‘Late one afternoon in March 1860 a man in a thin green velveteen jacket and a wide-awake hat arrived on foot at a sheep station named Glenmark, ab...
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Extract from Frontline Surgeon by Mark Derby
‘Crouched in a shallow foxhole, focusing each of her cameras in turn, Gerda Taro blazed with determination to record the debacle that surrounded he...
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Read an extract from Hastings: A boy’s own adventure by Dick Frizzell
24: AIN’T GONNA WORK ON MCINNES’S FARM NO MORE I know that the name Frizzell comes from the Fraser clan, so maybe that had some part in how Dad li...
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Read an extract from Against the Odds
MARGARET BARNETT CRUICKSHANK 1897 graduate — second woman medical graduate in New Zealand, first registered woman medical practitioner in New Zeala...
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Read the first chapter of One Minute Crying Time
ONE MINUTE CRYING TIME BARBARA EWING IN NEW ZEALAND IN THE 1950s it was very expensive to make a telephone call from one part of the country t...